Stepping back in time to 1907, we find ourselves before Hôtel Waxweiler. This grand mansion, commissioned by Emile Waxweiler, stands as a testament to the architectural prowess of Constant Bosmans and Henri Vandeveld. Hôtel Waxweiler initially showcased a classic facade with geometric Art Nouveau influences. However, just a year later, in 1908, architect Léon Sneyers stepped in, adding his own touch to Hôtel Waxweiler. He remodeled the facade and interior, incorporating elements of the Viennese Secession style. You can still see the evidence of his work etched into the stone – the number 33, a distinct mark of the Viennese Secession. Emile Waxweiler, a professor at ULB and the first director of the Solvay Sociological Institute, clearly had an eye for architectural beauty. He chose Bosmans and Vandeveld, brothers-in-law who collaborated on many projects for the Solvay family over two decades. The Hôtel Waxweiler is more than just a beautiful building; it’s a piece of Brussels’ rich history, intertwining the stories of prominent figures and architectural movements.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to