Amidst the serene greenery of Berlin’s outskirts, Haus Luckhardt stands as a testament to architectural innovation. Haus Luckhardt, also known as Haus am Rupenhorn 25, is one of two villas embodying the “Neues Bauen” (New Building) ideals. Built between 1929 and 1930, Haus Luckhardt’s stark white, geometric form contrasts sharply with its verdant surroundings. Its crisp edges and expansive windows exude a timeless modernity. Originally intended as a trio of buildings, only two were realized. Commissioned by merchant Richard Kluge, the villas were designed by Hans Luckhardt, Wassili Luckhardt, and Alfons Anker. The Luckhardt brothers had already made their mark on Berlin’s architecture scene. Invited by Bruno Taut to join the “Gläserne Kette” (Glass Chain) artists’ group, they initially embraced Expressionism before transitioning to the clean lines of New Objectivity. Their collaboration with Alfons Anker began in 1923. They experimented with unconventional forms at the Schorlemerallee estate in Zehlendorf, crafting white cubes that epitomized New Objectivity’s focus on function and basic forms. Haus Luckhardt provided even greater design freedom. The architects found private houses offered a more receptive environment for their avant-garde ideas compared to publicly funded projects. Influenced by Le Corbusier’s “Five Points for a New Architecture,” the design incorporated a free internal layout, rooftop gardens, and large windows. Haus Luckhardt’s skeleton construction allowed for flexible interior arrangements. The ground floor originally featured a spacious single-room living area, elevated for improved ventilation. Ribbon windows blurred the lines between indoors and outdoors. They bathed the living spaces in natural light. A curved terrace extended the living area outwards, embracing the scenic Rupenhorn landscape. Rooftop gardens provided additional living space and breathtaking views of Stößensee lake and Spandau. Richard Kluge’s bankruptcy just six months after the villa’s completion led to its reversion to the bank and conversion into apartments. The Luckhardt brothers joined the Nazi Party in 1933, while Anker, banned from his profession, fled to Sweden. The state’s plan to demolish the villas for a National Socialist university town was thwarted by World War II. Subsequent alterations obscured the original design, especially at Haus am Rupenhorn 24. Haus Luckhardt (Haus am Rupenhorn 25), however, was listed as a historic monument in 1975. Architects Christa Kliemke and Robert Wischer meticulously restored it to its original glory by 2011, including details like red linoleum floors and nickel-plated banisters. Period furniture completed the transformation, offering a glimpse into Haus Luckhardt’s innovative past.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to