Can a sculpture evoke the very essence of tranquility? Here, before the Große Liegende in Hamburg, it undoubtedly does. This monumental bronze figure, created by Barbara Haeger, graces the Moorweide, a sprawling green space near Dammtor station. The Große Liegende arrived here in 1979, a substantial presence weighing 800 kg and measuring 200 x 221 x 150 cm. Interestingly, this very sculpture was part of a noteworthy exhibition titled “Henry Moore and the Landscape,” held in Berlin from June 22nd to October 21st, 2007. Former German Chancellor Helmut Schmidt, a known admirer of Moore, served as patron for the exhibition. In his introduction to the exhibition catalog, he drew a parallel between Moore’s “Large Two Forms” (acquired for the Chancellery in 1979) and Germany’s then-divided state. He saw the sculpture’s form, reminiscent of bones and joints, as a symbolic representation of the natural desire for unity. While our Große Liegende isn’t Moore’s work, its presence here resonates with similar themes. Haeger’s piece, though abstract, speaks of form, landscape, and perhaps even the human condition. It invites us to pause, reflect, and find a moment of peace amidst the bustling city. Its smooth curves and imposing size command attention. Yet, its reclining posture exudes a calming stillness. The Große Liegende serves as a gentle reminder of the beauty in repose, a silent testament to the power of art in public spaces.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to