Isn’t it fascinating how art can find a home in the most unexpected places? Right here, at Viale Lombardia 17, stands Casa Corbellini-Wassermann. It is now the Milanese headquarters of Massimo De Carlo gallery.
Massimo De Carlo has played a fundamental role in the contemporary art scene for over 30 years. It promotes dialogue between artists and institutions. The gallery also fosters relationships with other galleries, critics, curators, and collectors.
Let’s step back in time. The early 1930s saw renowned Italian architect Piero Portaluppi design this building. Casa Corbellini-Wassermann was among his most famous projects. Initially, it was a domestic space. Now, it inspires artists and art lovers alike.
Notice the exquisite details. Portaluppi used precious materials like various marbles. They adorn both the interior and exterior. This makes it a prime example of Milanese rationalist architecture. Massimo De Carlo moved here in 2019. Studio Binocle oversaw an extensive renovation. Antonio Citterio led the philological restoration. The result? A space that honors history while embracing the future of art.
Massimo De Carlo works with an extraordinary variety of artists. They span mediums from painting to performance. Sculpture, photography, and video find their place here too. The gallery’s artists have gained international recognition. They exhibit in galleries, museums, and biennials worldwide. Their works reside in outstanding public and private collections.
Think about the exhibitions held within these walls. Elmgreen & Dragset collaborated with John Armleder for Room Service. Xu Qu presented a series of acrylic paintings. Karin Gulbran showcased Weird Sisters. Bertrand Lavier displayed Hier, Oggi. Andra Ursuta explored The Man from the Internet. Jamian Juliano-Villani presented Sincerely, Tony. Jim Shaw had a solo show. Diego Perrone created Herbivorous Carnivorous. Rudolf Stingel inaugurated the space with a solo exhibition. Massimo Bartolini presented Landscapes. Christian Holstad created Toothpick. Tony Lewis displayed WORDNONPSEUDO. Elmgreen & Dragset explored Stigma. Elad Lassry had a solo show.
Massimo De Carlo opened his first gallery in Milan in 1987. He later expanded to London, Hong Kong, and Paris. Each location has its unique character. The Paris gallery, Pièce Unique, presents exhibitions featuring just one artwork.
Massimo De Carlo’s galleries are tied to the culture of each place. He offers artists unique opportunities. They confront distinctive architectural and historical contexts. This principle embraces new perspectives with each new location.
Massimo De Carlo has long-term relationships with many artists. Alighiero Boetti and Rudolf Stingel are among them. He believes editing is a crucial part of a gallerist’s job. His vision helps artists feel comfortable and protected.
In Casa Corbellini-Wassermann, Massimo De Carlo blends history with contemporary art. The gallery offers a space for dialogue. It also provides a platform for artists to challenge and inspire. This is more than just a gallery. It is a cultural landmark. It is a testament to Milan’s artistic spirit.