Beneath a glass canopy, a symphony of light dances upon the Galerie de la Reine – Koninginnegalerij. This elegant arcade, part of the Royal Saint-Hubert Galleries, whispers tales of Brussels’ rich past. The Galerie de la Reine – Koninginnegalerij, opened in 1847 along with the King’s and Princes’ Galleries, was the brainchild of architect Jean-Pierre Cluysenaar. He envisioned a grand promenade, a beacon of modernity inspired by the arcades of Paris and Milan. King Leopold I championed the project, seeing it as a symbol of Belgium’s burgeoning prosperity. The Galerie de la Reine – Koninginnegalerij, stretching over 200 meters, is a haven of luxury and artistry. The light filtering through the arched glass roof illuminates the storefronts. It casts a warm glow on the marble-clad walls. The Galerie de la Reine – Koninginnegalerij is more than just a shopping arcade. It’s a stage where history and modernity intertwine. Here, you can find purveyors to the Belgian Court. Among them, the renowned chocolatier Neuhaus has held its place at number 23 since 1857. It was here, in 1910, that Jean Neuhaus and his wife invented the filled chocolate, christening it the “praline.” Another iconic brand, Delvaux leather goods, adds to the gallery’s allure. As you stroll through the Galerie de la Reine – Koninginnegalerij, imagine the figures who have graced these halls. From Victor Hugo to Alexandre Dumas, literary giants found inspiration in its grandeur. The surrealist artist René Magritte was also a frequent visitor, drawing influence from its unique ambiance. The south end of Galerie de la Reine – Koninginnegalerij opens onto the bustling Rue du Marché aux Herbes, just steps from the Grand-Place. Across this street, the Horta Gallery continues the architectural journey. The Galerie de la Reine – Koninginnegalerij remains a vibrant testament to Brussels’ enduring spirit. It stands as a cherished landmark, where the echoes of the past harmonize with the rhythm of modern life.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to