Did the stones of Église Sainte-Catherine – Sint-Katelijnekerk ever witness a fishwife’s fury? We’re standing before Église Sainte-Catherine – Sint-Katelijnekerk, a grand church with a fascinating past. It’s dedicated to Saint Catherine of Alexandria. The current building, designed by Joseph Poelaert, arose between 1854 and 1874. Église Sainte-Catherine – Sint-Katelijnekerk replaced a smaller, older church from the 15th century. This older church stood near Brussels’ first city walls and originally depended on the parish of Molenbeek-Saint-Jean. Imagine the changes it must have seen! The older church evolved over centuries, finally gaining a Baroque choir and a bell tower completed in 1664. Fast forward to the 19th century, and floods damaged the aging structure. It was decided to build anew on the site of the recently filled Sainte-Catherine/Sint-Katelijne basin. Our Église Sainte-Catherine – Sint-Katelijnekerk. Poelaert’s design, completed by his student Wynand Janssens, draws inspiration from French Gothic churches of the 16th century. Think of the Church of St. Eustache in Paris. Notice the imposing blue stone base, reminiscent of Brussels’ Palace of Justice. It creates a striking contrast with the lighter Gobertange stone of the nave above. Poelaert cleverly used niches and lanterns to lighten the visual weight of the structure. Inside, the vastness of Église Sainte-Catherine – Sint-Katelijnekerk is amplified by its white coating. The furnishings are neo-Renaissance, designed by the Goyers brothers. Look for treasures from the old church, and a pulpit from Mechelen’s St. Rumbold’s Cathedral. Most importantly, seek out the 14th-century statue of the Black Madonna and the wooden Saint Catherine with her wheel of torture. Église Sainte-Catherine – Sint-Katelijnekerk has faced threats of demolition, but it has endured. It stands as a testament to the enduring spirit of faith and history, a place where the echoes of fishmongers and prayers mingle in the air.
Museum of the Gueuze
“Isn’t it strange,”” a visitor mused, “”that a brewery could also be a museum?”” Indeed, the Museum of the Gueuze,