Gazing upon Église Saint-Laurent, imagine the whispers of centuries echoing within these weathered stones. Église Saint-Laurent stands as a testament to time. It has witnessed the ebb and flow of history since the Merovingian era. Gregory of Tours, a bishop and historian, tells us of a basilica dedicated to Saint Laurent in the 6th century. This basilica existed on the north-south axis that led from Lutèce to Senlis. Saint Domnole, who died as Bishop of Le Mans in 581, led a monastery of monks within this very basilica under the reign of Clotaire I. The site, elevated from the Seine and protected from its whims, housed a church, a monastery, and flourishing gardens. Sadly, Norman invasions brought devastation, requiring the reconstruction of Église Saint-Laurent in the 12th century. The church was established as a parish in 1180. As the population grew, Église Saint-Laurent underwent another transformation in the early 15th century. Only the old tower remained from the previous structure. In 1429, the choir and ambulatory were consecrated. Later additions included six chapels, the transept, and a four-bay nave. The nave was vaulted between 1656 and 1659, supported by external flying buttresses. It was completed with a “Jesuit” style facade with Doric and Ionic pilasters. The foundation stone was laid in 1621. Église Saint-Laurent boasts prominent parishioners such as Saint Vincent de Paul and Saint Louise de Marillac. In 1660, Louise de Marillac was buried within these walls, her tomb remaining until 1755. The church continued to evolve. In 1712, a rotunda-shaped axial chapel with a dome was added to the chevet. The Revolution brought further upheaval. Église Saint-Laurent was ransacked in 1789. It became the “Temple of Reason” in 1793, then the Temple of Hymen and Fidelity, and finally the “Temple of Old Age” in 1798. It wasn’t until 1802 that it was returned to Catholic worship, its liturgical furnishings recreated. Under Napoleon III, the classical facade of 1621 was replaced by a Gothic pediment designed by Constant-Dufeux. This new facade, placed in front of the previous one, was connected to the nave by an additional bay. Église Saint-Laurent stands at the crossroads of Gare du Nord, Gare de l’Est, and Boulevard Magenta, its doors open, continuing to welcome all who seek solace and inspiration within its historic embrace.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to