Gazing up at the Église Notre-Dame du Rosaire, did you notice the subtle blend of architectural styles? This isn’t your typical church. Its Neo-Romanesque base flirts with Gothic and Byzantine influences, a testament to architect Franz Van den Daele’s vision. The Église Notre-Dame du Rosaire, also known as Onze-Lieve-Vrouw van de Rozenkranskerk, stands as a unique landmark in Uccle. Its construction, beginning in 1936, was a community effort, spearheaded by Canon Raymond A. G. Lemaire and fueled by local pride. The church wasn’t consecrated until 1945, after the war, by Cardinal Joseph-Ernest Van Roey. This ceremony, delayed but not forgotten, marked the resilience of the community and their devotion to the church. The Église Notre-Dame du Rosaire wasn’t simply built; it was crafted. Every material used, from the stone to the wood, was sourced within Belgium, a conscious decision reflecting national pride. Inside, the heavy, monolithic black marble main altar commands attention. It’s a stark contrast to the carved granite side altars. Nearby, a bas-relief honors parishioners lost in the two World Wars, a poignant reminder of the sacrifices made. Look closely at the details. Black marble communion benches, oak choir stalls and confessionals, these elements add layers of richness. The organ, a 1906 masterpiece by Adrien and Salomon Van Bever, predates the church itself. It was likely salvaged from the chapel of the old country house that once stood on this site, a tangible link to the past. The Église Notre-Dame du Rosaire stands as a testament to community spirit and artistic vision. It is a place of worship, remembrance, and a celebration of Belgian heritage.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to