Feel the cool bronze beneath your fingertips. This is the Draped Reclining Woman a sculpture by Henry Moore. It’s one of six casts made in Berlin. It arrived in Stuttgart in 1961. The sculpture was initially displayed in front of the newly built state parliament building. It was part of a public art project tied to the Federal Horticultural Show. People weren’t very impressed at first. They even gave her a nickname ‘s’Mariele’ little Mary. A rather unflattering moniker considering the significance of this artwork. The Draped Reclining Woman is a powerful statement. It’s more than just a reclining figure. It shows a woman. Her weight is on her right hand and leg. The left hand rests on her thigh. Her face is abstracted. Just two holes for eyes. The drapery highlights her body. It conceals other parts. It creates different textures with its folds. Moore was inspired by classical sculptures. He also drew inspiration from his war art. He sketched people sheltering from bombing raids during the Blitz. They were often bundled in thick clothes. The drapery in his work evokes a sense of protection and vulnerability. The sculpture now sits prominently in front of the Staatsgalerie’s new building. It’s a perfect contrast. It’s quiet and calm. The gallery building itself is loud and colorful. Its modern architecture is a sharp contrast to the classical elements of the sculpture. The Draped Reclining Woman is much more than a simple statue. It’s a testament to the enduring power of art. It bridges the gap between classic and modern. This bronze masterpiece invites contemplation and admiration.
Hauptfriedhof
Lost in time stands the Hauptfriedhof Trier. A tranquil expanse in the bustling city it’s more than just a cemetery.