Whispers of history echo through Donam 1-dong. Here, amidst modern Seoul, the echoes of a Japanese-owned ranch from the colonial era linger. Donam 1-dong wasn’t always part of Seoul’s urban sprawl. Once, it lay outside the city walls, not far from Hyehwamun Gate. During the Japanese occupation, a Catholic Japanese businessman named Hirayama Masazu established a ranch here. He was a complex figure, a dairy farmer, cheese producer, restaurateur, and philanthropist. He also produced a silent film epic in 1931, “The 26 Martyrs of Japan,” partly filmed on his Donam 1-dong ranch. This film, a testament to Hirayama’s Catholic faith, tells the story of martyred priests and laymen in Japan. The ranch, a significant landmark in Donam 1-dong’s history, has faded. Only the basic terrain and roads remain as physical reminders. But the area retains a strong Catholic presence, a legacy of Hirayama’s faith and influence. In the 1930s, the area transformed into a complex of traditional Korean houses, known as “hanok.” This architectural shift added another layer to Donam 1-dong’s rich tapestry. Donam 1-dong holds a special place in the heart of scholar Suk Ji-hoon. He connects this neighborhood to his friend, Peter Bartholomew, a former president of the Royal Asiatic Society Korea, who resided in a hanok in Donam 1-dong. Bartholomew, an advocate for traditional Korean architecture, arrived in Korea in 1968. He never met Hirayama, but Suk uncovered a surprising connection between the two men, further intertwining their stories with Donam 1-dong. Donam 1-dong is a blend of old and new. The modern apartment complexes and older housing stand as a testament to its evolution. The few schools, including a women’s university, contribute to its vibrant atmosphere. Yet, beneath the surface, the whispers of its past, from a Japanese ranch to a hanok village, continue to resonate. They remind us that Donam 1-dong, a seemingly ordinary neighborhood, holds extraordinary stories within its boundaries.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to