Did the dragons atop Đinh Minh Hương Gia Thạnh witness the hopes and fears of generations past? Here, at 380 Trần Hưng Đạo Street, stands Đinh Minh Hương Gia Thạnh. It’s not just a building. It’s a story etched in brick and tile, whispering tales of resilience and cultural preservation. Đinh Minh Hương Gia Thạnh, also known as Minh Hương communal house, was established in 1789. It was the first Chinese guildhall built in Ho Chi Minh City’s Chinatown. Founded by loyalists of China’s Ming Dynasty, it served as a beacon of hope for the Chinese-Vietnamese community. Đinh Minh Hương translates to “Ming People’s Village.” “Gia Thạnh” was bestowed by King Gia Long of Vietnam’s Nguyen Dynasty. The architecture is distinctly Cantonese, with brick walls and a tiled roof. Notice the intricate relief of two dragons entwined in a battle for a pearl. This motif symbolizes prosperity and good fortune. Look closer. The roof also boasts ceramic statues, added in 1901, crafted in the style of the renowned Đồng Hòa-Cây Mai pottery. These statues depict characters and scenes from ancient Chinese tales. Unlike other Chinese guildhalls in Ho Chi Minh City with their three-hall structure, Đinh Minh Hương Gia Thạnh has a unique layout. It features an area for displaying horizontal lacquered boards, a main hall for worship, and a reception area. Among the lacquered boards, the most significant one dates back to 1863. It was granted by King Tự Đức of the Nguyen dynasty. The guildhall also houses 25 other horizontal lacquered boards and 29 pairs of wooden panels. These artifacts offer glimpses into the rich history of the community. In 1993, Đinh Minh Hương Gia Thạnh received recognition as a national architectural and artistic relic. It’s a testament to the enduring legacy of the Chinese-Vietnamese community in Ho Chi Minh City. As you leave Đinh Minh Hương Gia Thạnh, carry with you not just the image of its striking architecture, but also the echoes of the stories it holds within its walls.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to