Did the sculptor Rolf Biebl ever imagine his David, part of the David und Goliad sculpture, would become such a fixture here in Fennpfuhlpark? Here at the David und Goliad sculpture, we witness a unique interpretation of the biblical showdown. Created in 1987 by Rolf Biebl and Clemens Gröszer, the David und Goliad sculpture presents a thought-provoking twist on the classic tale. The colossal, severed head of Goliath rests on the ground. His eyes are half-open, his mouth closed in perpetual silence. A few meters away stands David, not triumphant, but strangely anonymous. His oversized, smooth helmet obscures his face, rendering him a faceless victor. A peculiar, keyboard-like structure adorns David’s back, adding to his almost robotic appearance. This detail challenges our conventional image of the young hero. The David und Goliad sculpture wasn’t always destined for Fennpfuhlpark. It was created during the 2nd International Berlin Sculpture Symposium held in Buch in 1987. Originally planned for a temporary exhibition, the sculpture found its permanent home here in 1988. Look closely, and you’ll see “BIEBL” inscribed on the back of David’s plinth. Gröszer’s signature, “CG 87”, can be found behind Goliath’s left ear. Interestingly, the “G” is carved in reverse. Over the years, David und Goliad has endured its share of vandalism, often covered in graffiti. Yet, like the story it depicts, the sculpture perseveres, a silent testament to art’s resilience.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to