Stepping back in time, let’s journey to the Convento e Iglesia de las Reparadoras in Madrid. This architectural marvel, designed by Luis Bellido y González, stands as a testament to a rich and complex history. The Convento e Iglesia de las Reparadoras was originally commissioned in 1919 as a novitiate for the Madres Reparadoras. Construction took place between 1920 and 1925. The complex was more than just a church. It also included a parish house, a house for spiritual exercises, and the convent itself, all nestled within a vast 41,488 square meter plot. The Convento e Iglesia de las Reparadoras saw a dramatic shift in purpose during the Spanish Civil War. In 1936, it served as a blood hospital, a stark contrast to its original peaceful intent. Just a few years later, in 1939, it was repurposed yet again, this time as a Military Health Academy. The story of the Convento e Iglesia de las Reparadoras takes a dramatic turn in 1974. The Madres Reparadoras congregation sold the land to a real estate company owned by Banco de Vizcaya for a staggering three hundred million pesetas. This sale, requiring authorization from the Holy See, marked the beginning of an uncertain future for the complex. Despite attempts by the nuns and then the new owners to demolish the convent in 1977, these efforts were thwarted by negative reports from architectural authorities. However, the reprieve was short-lived. While the church itself was declared a Bien de Interés Cultural (BIC) in 1978, the convent was not afforded the same protection. Tragically, the convent was demolished in September 1980. Left behind were the church, the former house of exercises, the priest’s house, and a small parcel of the surrounding land. These remnants were ceded to the Madrid City Council. A new chapter began in 1985 when the Archbishopric of Madrid acquired the property. It was then given to the German Catholic Community of Madrid, who, with funding from the German Episcopal Conference, undertook a significant restoration project. The Convento e Iglesia de las Reparadoras, having served as a place of worship, healing, and education, stands today as a symbol of resilience and transformation.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to