Chiesa parrocchiale di Sant’Ambrogio Vescovo e Dottore

Is this where the Devil himself met his match? Right here before the Chiesa parrocchiale di Sant’Ambrogio Vescovo e Dottore stands a curious sight. A Roman-era column, seemingly ordinary, yet marked by two distinct holes. Legend has it that these holes are no mere weathering. They are said to be the very imprints of the Devil’s horns. The Chiesa parrocchiale di Sant’Ambrogio Vescovo e Dottore has seen its share of history since its construction between 379 and 386. Originally named Basilica Martyrum, it was a testament to Milan’s early Christian martyrs. The church we see today is a grand example of Romanesque architecture, a reincarnation of its earlier form. The transformation took place between 1088 and the early 12th century. Inside the Chiesa parrocchiale di Sant’Ambrogio Vescovo e Dottore, treasures await. Behold the Golden Altar, a masterpiece of Carolingian artistry crafted by Vuolvinio between 824 and 859. It depicts scenes from Christ’s life and that of the church’s namesake, St. Ambrose. Above it rises the equally impressive ciborium, its red porphyry columns a link to the original basilica. The Chiesa parrocchiale di Sant’Ambrogio Vescovo e Dottore holds the weight of centuries within its walls. It’s a place where history and legend intertwine. The Devil’s Column stands as a silent testament to this. A reminder of the enduring power of faith, even in the face of the most formidable foes.