“Did they really have to tear down the old church for this?” The Chiesa parrocchiale dei Santi Bartolomeo Apostolo e Nicolò Vescovo stands as a testament to Milan’s ever-changing landscape. It’s a relatively new church, built in 1864, but don’t let its youth fool you. This church holds within its walls echoes of a much older story, the legacy of its predecessor, the ancient Chiesa di San Bartolomeo. The old San Bartolomeo, demolished in 1861, stood near the medieval Porta Nuova. It was a place steeped in history, its existence documented as far back as the 11th century. It was rebuilt in the 1600s by Francesco Maria Richini, embracing the elegance of the Baroque style. The church housed a revered icon of the Madonna del Buon Aiuto, a beacon of hope donated after a victory against the Turks. It also held the memories of prominent Milanese families laid to rest within its hallowed grounds. But progress, as it often does, demanded a change. The city decided a new thoroughfare, now known as Via Turati, was needed. And so, the old church made way for the new. Today, the Chiesa parrocchiale dei Santi Bartolomeo Apostolo e Nicolò Vescovo, designed by Maurizio Garavaglia, carries the torch in a new location. Look closely and you’ll see touches of the old San Bartolomeo’s grandeur. The new church, designed with Palladian influences, carefully preserves some of the artistic treasures salvaged from its predecessor. Most notably, it houses the striking neoclassical monument to Karl Joseph von Firmian, once a powerful figure in Austrian-ruled Lombardy. His tomb, a silent sentinel from a bygone era, reminds us that even in the face of change, memory finds a way to endure.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to