Chiesa di San Gerolamo

Why all the octagons? That’s what some people ask when they first see the Chiesa di San Gerolamo Emiliani. This striking example of Modernist architecture isn’t your typical church. It was born from a wave of post-war optimism and a desire to redefine sacred spaces for a new era. In the 1950s, Milan embarked on an ambitious project: to build 22 new churches, one for each upcoming council of the Second Vatican Council. The Chiesa di San Gerolamo Emiliani, designed by the celebrated architect Carlo De Carli, was to be a flagship of this initiative. Instead of traditional cruciform layouts, De Carli embraced the octagon. The main nave is a perfect octagon, symbolizing unity and wholeness. This central space is further extended by three smaller octagons that jut out from the sides, housing the sanctuary, baptistery, and chapel. These distinct yet interconnected spaces reflect the church’s role as a gathering place for different parts of the community. The building materials are just as striking. White brick and cement create a sense of austere beauty, a hallmark of Modernist design. The facade is particularly unique, with a panel of glass bricks above the entrance. These bricks are arranged in vertical strips of different colors and hues, creating a mesmerizing play of light and shadow throughout the day. The Chiesa di San Gerolamo Emiliani is more than just a church. It’s a testament to a city’s resilience, a symbol of spiritual renewal, and an architectural marvel that continues to captivate and inspire.