Chiesa della Madonna del Lume

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Is it true that this church changed purpose over time? The Chiesa della Madonna del Lume stands before us. It is more than just a building. This church has a rich history. It is deeply intertwined with Palermo’s story.

The Chiesa della Madonna del Lume began as part of a Jesuit novitiate. This was a place for young Jesuits to train. They studied theology and philosophy here. The original building was small. It was a chapel within the novitiate. Natale Masuccio designed it in 1591. He was already working on the Chiesa del Gesù. The chapel was expanded over time. It gained more chapels.

In 1699, Asdrubale Termini consecrated the church. He was the Bishop of Syracuse. Giuseppe Diamante worked on the facade and interior in 1704. Andrea Palma created stucco decorations. These replaced frescoes between 1763 and 1765.

The Jesuit order was suppressed in 1767. The novitiate became a military barracks. The Jesuits regained the church in 1814. This was thanks to Pope Pius VII. The novitiate was destroyed in 1848. This happened during the Sicilian revolution. In 1953, the Chiesa della Madonna del Lume became a parish church.

Look at the facade. It has four lesenes. These divide it into two levels. A cornice runs between the levels. The stones are carefully carved. Busts of Jesuit saints adorn the facade. They sit in rococo frames. A large window sits in the center. Above the portal, there is a medallion. It depicts Saint Stanislaus Kostka. Giacomo Pennino created it in 1725. A triangular tympanum tops the facade. It features a sculpture, crown, and cross. Niches and square openings complete the entrance.

Inside the Chiesa della Madonna del Lume, the nave has a barrel vault. Gaspare Firriolo and Vittorio Perez decorated it in 1763. They painted Eucharistic symbols and the Ark of the Covenant.

On the right side, the first chapel is dedicated to the Immaculate Conception. Paolo Amato likely designed the altar. It has stucco decorations and twisted columns. Giuseppe Palumbo created the statue of the Immaculate Conception in 1686. Statues of Virginity and Fortitude surround it. Antonio Grano painted frescoes. Giacomo Serpotta’s school created the stuccos.

The second chapel honors San Stanislao. Giacomo Pennino created the statue of San Stanislao in 1729. It is made of two-tone marble. A painting shows the Virgin and San Stanislao. Stuccos depict scenes from the saint’s life.

The third chapel is for San Francesco Saverio. Francesco Scuto created the altar in 1666. It uses mixed marble and twisted columns. Antonio Grano painted frescoes. Today, it holds the Madonna del Lume processional vara. Francesco Pisciotta created it in 1905.

On the left side, the first chapel is for the Santissimo Crocifisso. A wooden crucifix dominates the space. Giuseppe Palumbo created the statues of the Virgin Mary and San Giovanni Evangelista in 1686. Antonio Grano frescoed the walls and vault in 1687.

The second chapel is dedicated to the Madonna del Lume. A copy of the original painting hangs here. Bartolomeo Sanseverino created stucco panels. They depict Santa Rosalia in the Quisquina cave. The tomb of Ottavio and Lorenzo Lombardi is on the left wall.

The third chapel honors Sant’Ignazio. Paolo Amato designed the altar. Francesco and Gerardo Scuto built it. The altarpiece shows Sant’Ignazio di Loyola with San Luigi Gonzaga and San Stanislao Kostka. Marble reliefs depict scenes from Sant’Ignazio’s life.

The main chapel once had silver plating. Bartolomeo Sanseverino created the stucco decorations. Gaetano Mercurio painted frescoes in 1770. One shows the Last Supper. Others depict female allegories.

The Chiesa della Madonna del Lume is a testament to Palermo’s layered past. It has been a Jesuit training center, military barracks, and parish church. It is a place of devotion and artistic beauty. It is a reminder of the city’s resilience.

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