Nestled in the heart of Milan, the Chiesa della Beata Vergine del Rosario whispers tales of a bygone era. This unassuming church, completed in 1914, stands as a testament to the city’s rapid growth and industrialization at the turn of the 20th century. The Chiesa della Beata Vergine del Rosario emerged from the burgeoning industrial landscape surrounding the old Bastioni, Milan’s ancient city walls. The area, known then as “zona Macello” due to its proximity to the public slaughterhouse, was a hive of activity. Factories lined the streets, and the railway lines crisscrossed the landscape, connecting the bustling Stazione di Porta Ticinese with the rest of the city. In 1905, the Società Umanitaria, a philanthropic organization, built the first social housing project on Via Solari, designed by architect Giovanni Broglio. This influx of residents created the need for a place of worship, and a small concrete chapel was erected in 1907. This chapel served as the precursor to the Chiesa della Beata Vergine del Rosario. The church’s design, by architect and priest Enrico Locatelli, reflects a unique blend of architectural styles. The red brick facade, divided by pilasters and featuring three doorways, hints at a neo-Romanesque influence. Above the central doorway, a large window, adorned with stained glass by Luigi Vianello, stretches across the facade, culminating in a Gothic arch. The original medieval-style rose window, removed during renovations in 1952, has been replaced by the current stained-glass window. The church’s bell tower, slightly detached from the main building, adds to its distinct character. Designed by Monsignor Spirito Maria Chiappetta, the tower’s conical spire and lowered tympana were completed in 1924. The five bells within, cast by the Ottolina foundry of Seregno, have rung out across the neighborhood for decades. The Chiesa della Beata Vergine del Rosario also holds a poignant connection to a tragic event in Milan’s history. On May 28, 1980, journalist Walter Tobagi, a parishioner of the church, was assassinated by the Red Brigades. His funeral, held at the Chiesa della Beata Vergine del Rosario, was a somber occasion, attended by a massive crowd and officiated by Cardinal Martini. In 2016, the church’s bells were temporarily silenced for essential maintenance work on the aging bell tower. Their return marked a joyous occasion for the community, reaffirming the church’s enduring presence in the neighborhood. The Chiesa della Beata Vergine del Rosario is more than just a building. It is a living testament to the evolving history of Milan. It’s a place where the echoes of the past intertwine with the vibrant pulse of the present.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to