Nestled beneath the gaze of Brussels’ Grand Place, a tribute to a man who dared to dream differently awaits. The Charles Buls – Karel Buls Plaque, an understated masterpiece, whispers tales of a mayor who defied a king. Charles Buls, a name synonymous with Brussels’ architectural soul, served as mayor from 1881 to 1899. He was a champion of the city’s heritage, a man who valued the whispers of the past over the clamor of progress. His vision clashed with the grandiose schemes of King Leopold II, who envisioned a Brussels remade in the image of Paris. Leopold II craved wide boulevards and sweeping parks, mirroring Haussmann’s transformation of the French capital. But Buls saw the beauty in the city’s organic growth, in the crooked streets and the historic facades. He fought tirelessly to preserve the Mont des Arts and the Grand Place, understanding their intrinsic worth long before UNESCO recognized them as a World Heritage site. The Charles Buls – Karel Buls Plaque, designed by Victor Horta and sculpted by Victor Rousseau, stands as a testament to his unwavering dedication. Commissioned in 1899 by grateful architects, it commemorates Buls’ instrumental role in the restoration of the Grand Place’s historic buildings. This plaque isn’t just a piece of metal; it’s a symbol of resistance, a reminder that progress doesn’t always mean demolition. It embodies Buls’ belief in the power of preservation, a legacy etched not just on this plaque, but onto the very fabric of Brussels itself.
Museum of the Gueuze
“Isn’t it strange,”” a visitor mused, “”that a brewery could also be a museum?”” Indeed, the Museum of the Gueuze,