Clutching my grandmother’s rosary, I first saw Capela de Nossa Senhora da Lapinha. It was 1955. The small chapel stood solitary against the Porto sky. It was a beacon of faith, built by Father Ângelo Sequeira, who envisioned a larger church. This humble Capela de Nossa Senhora da Lapinha was just the beginning. The bustling city of Porto embraced the new chapel. The faithful flocked there. Just a year later, in 1756, the foundation stone for a grander Igreja de Nossa Senhora da Lapinha was laid. The construction, however, would be a long journey, spanning over a century. The initial vision of architect João Glama Ströberle gave way to a new design by José de Figueiredo Seixas. Seixas guided the project until his death in 1773. The church wasn’t fully consecrated until 1779. Yet, the spirit of the Capela de Nossa Senhora da Lapinha lived on. It infused the new church with its simple devotion. The Capela de Nossa Senhora da Lapinha’s legacy extended beyond its physical presence. It inspired the creation of a cemetery, a school, and even a hospital, all under the umbrella of the Irmandade da Nossa Senhora da Lapinha. Inside the church, artistry abounds. The main altarpiece, carved by Manuel Moreira da Silva, is a masterpiece. Joaquim Rafael’s painting adds another layer of beauty. A miniature nativity scene, crafted by the Machado de Castro school, whispers of Christmas miracles. And then, there’s the heart. The heart of King Pedro IV, encased in a mausoleum of “the finest granite” Porto could offer, rests within the Capela de Nossa Senhora da Lapinha’s successor. It’s a testament to the city’s loyalty during the Portuguese Civil War. The Capela de Nossa Senhora da Lapinha may be gone. Yet, its spirit echoes within the grand church that rose in its place. It stands as a symbol of faith, perseverance, and the enduring power of a small chapel’s dream.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to