Hidden in plain sight on Gran Vía stands the Caballero de Gracia Plaque. It whispers tales of a man and a building. This plaque commemorates the site of the Carmen Calzado convent. It was founded in 1575 by Jacobo de Grattis, better known as the Caballero de Gracia. The Caballero de Gracia is a historical figure in religious contexts. Madrid also wove legends around him in secular tales. He also lent his name to the magnificent Real Oratorio del Caballero de Gracia church. This neoclassical gem, designed by Juan de Villanueva, stands just a stone’s throw from this very plaque. It’s hard to imagine, looking at the bustling Gran Vía today, that the original Oratorio was built in 1654. By the 18th century, the original structure had fallen into disrepair. King Carlos III commissioned its reconstruction. Villanueva, architect of the Prado Museum and the Astronomical Observatory, proposed two plans. One involved expanding the existing structure. The other, a completely new temple. The king chose the latter. The interior, with its single-piece granite columns and vaulted ceiling, is breathtaking. Look for the sculptures of the Virgen del Socorro (1825) and Cristo de la Agonía (1650). Interestingly, Carlos III, facing funding shortages, even diverted funds from the Royal National Lottery to support the Oratorio’s construction. Despite royal support, Villanueva clashed with the Congregation over a cornice. This ultimately led to his dismissal. Juan Pedro Arnal completed the project in 1795. The Caballero de Gracia Plaque thus marks not only the site of a former convent but also the indirect birthplace of a masterpiece. The spirit of the Caballero de Gracia, both the man and the church, endures in the heart of Madrid.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to