Amidst the vibrant tapestry of Brussels, a hidden gem awaits discovery. The Bortier Gallery whispers tales of a bygone era, where literature and art converged under a breathtaking glass canopy. The Bortier Gallery first opened its doors in 1848. It was the brainchild of Jean-Pierre Cluysenaer, the same architect who designed the grand Royal Saint-Hubert Galleries. The Bortier Gallery was originally part of the Marché de la Madeleine, a bustling covered market. The gallery’s elegant neo-Renaissance style, with its intricate cast iron and glasswork, showcases the architectural prowess of its time. The Bortier Gallery is tucked away between the Mont des Arts and the Grand-Place, offering a tranquil escape from the city’s hustle and bustle. This haven for bookworms and art enthusiasts once housed numerous stalls selling rare books, vintage prints, and antique treasures. A notable figure connected to the Bortier Gallery is Jean-Baptiste Moens, the father of philately, who ran a shop there from 1853. He dealt in books and stamps, adding a unique chapter to the gallery’s rich history. In the late 20th century, the Bortier Gallery had become a haven for bibliophiles. It was filled with shops specializing in second-hand books, prints, postcards, and magazines. However, the winds of change swept through the gallery in 2024, leading to a controversial renovation that saw most of the bookshops replaced by cafés and eateries. Today, only a handful of the original booksellers remain, clinging to the gallery’s literary legacy. Despite the transformation, the Bortier Gallery retains its historical charm and architectural splendor. The gallery invites you to step back in time and experience the ambiance of 19th-century Brussels. It continues to captivate visitors with its unique blend of history, architecture, and evolving character.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to