Gazing upon Basilica di Santa Maria Nuova, one can almost hear the echoes of centuries past. This magnificent basilica, located in Abbiategrasso, has witnessed the ebb and flow of history since its construction began in 1365. Basilica di Santa Maria Nuova was built in 1388 to commemorate the birth of Gian Galeazzo Visconti’s son, Giovanni Maria. The basilica’s story intertwines with the Visconti family, powerful figures in Milan’s history. Its construction marked a joyous occasion, yet the basilica’s journey was far from over. It evolved over time, reflecting the changing needs of the community. Originally a key religious center, Basilica di Santa Maria Nuova officially became a parish church in 1578, thanks to a visit by St. Charles Borromeo. This transition marked a shift in the basilica’s role, bringing it closer to the heart of Abbiategrasso’s daily life. The basilica’s design underwent many transformations. The original late Gothic three-nave structure remains, but various additions have shaped its current form. In the 15th century, a Renaissance portico was added, enclosing the tombs outside the church. This portico boasts terracotta decorations on its arches and a series of busts of saints, some of which are original. A grand pronao, built between 1595 and 1601 by architect Tolomeo Rinaldi, partially covers the 14th-15th century facade. This pronao protects a fresco by the Zavattari School, depicting the “Virgin and Child.” Some attribute an earlier, incomplete project from 1497 for this pronao to Bramante. In the 18th century, a new sacristy was built on the north side of the presbytery, and an ossuary was erected at the foot of the bell tower. The interior was remodeled in 1740 by architect Francesco Croce, who introduced a Baroque style. He raised the central nave, added circular windows to brighten the space, and created five new chapels along the sides. Frescoes by Giovanni Valtorta, added between 1864 and 1870, enhance the interior. In 1962, Pope John XXIII elevated Basilica di Santa Maria Nuova to the status of a minor basilica. A testament to its historical significance and architectural beauty. As you stand before Basilica di Santa Maria Nuova, remember the layers of history embedded within its walls. From the Visconti celebration to its evolution as a parish church, the basilica stands as a symbol of enduring faith and the artistry of generations.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to