Whose youthful energy radiates throughout this space? Right here in the Ehrenhof stands the Aufsteigender Jüngling sculpture. It’s more than just bronze frozen in time. The Aufsteigender Jüngling embodies a century of struggle, a testament to artistic vision and a city’s complex relationship with its past. Created by renowned German sculptor Georg Kolbe, the Aufsteigender Jüngling, or “Ascending Youth,” was meant to honor the poet Heinrich Heine, a Düsseldorf native. Heine, celebrated for his lyrical poetry and sharp wit, was also a controversial figure in his time, often critical of German society. This duality is reflected in Kolbe’s sculpture. The sculpture was initially commissioned in 1931 after a competition spearheaded by playwright Herbert Eulenberg, a champion of Heine’s legacy. Imagine a young Heine, full of potential, poised on the brink of adulthood, his gaze fixed on the horizon. However, the planned unveiling of the Aufsteigender Jüngling in 1933 coincided with the rise of the Nazi regime. They deemed the monument unsuitable, likely due to Heine’s Jewish heritage and critical views. The sculpture remained hidden away for years. It wasn’t until 1949, well after World War II, that the Aufsteigender Jüngling was finally installed in the Ehrenhof. Even then, it was done without any mention of Heine, a silent tribute in a city still grappling with its past. The inscription “Dedicated to Heinrich Heine” was added much later in 2002, a belated but significant acknowledgement of the sculpture’s true purpose. As you stand before the Aufsteigender Jüngling today, take a moment to reflect on the journey of this powerful artwork.
Landesrat Dr. M. Brandts Plaque
“Seinem verehrten Mitbegründer dem tatkräftigen Mitbegründer Herr Landesrat Dr. M. Brandts gest. 16. Oktober 1905 in Dankbarkeit gewidmet.” This is