Standing before us is 1700 La Poste. Have you ever wondered what secrets this imposing structure holds?
1700 La Poste began its life in 1913. It was designed by architect David Jerome Spence. Spence was responsible for several Montreal buildings. The building first served as Postal Station F. It aimed to serve the growing population of Petite-Bourgogne.
Notice the building’s design. It showcases the Beaux-Arts style. This style was popular in Montreal in the early 20th century. The facade evokes an ancient temple. Two Ionic-style limestone columns support an entablature and a pediment. Look closely at the copper entrance door. A small set of steps leads to it. Large windows illuminate the interior.
For decades, 1700 La Poste served its postal purpose. It was later abandoned. The building then became an antique shop. But its story didn’t end there.
Isabelle de Mérius acquired the building. She envisioned a new purpose for it. She wanted to create an exhibition center. It should be a place for cultural exchange. The transformation was entrusted to Luc Laporte in 2009.
Step inside 1700 La Poste. The restoration respected the original design. Some elements remind us of its postal past. The exterior letter drop remains. The vault and its armored door are still here. A light steel staircase connects the three floors. These floors now serve as exhibition spaces.
1700 La Poste is not a gallery. It is also not an art center or a museum. It is a place for discussion and reflection on art. Admission is free to the public. It is dedicated to painters, sculptors, and engravers aged 40 to 60. These artists often work in abstraction or expressionism.
1700 La Poste has evolved. It embraces a poetic, philosophical, and psychoanalytic approach. This informs the development of exhibitions and catalogs. Many artists have exhibited here. Louis-Pierre Bougie and Violette Dionne have showcased their work here. Luc Laporte also displayed his architectural creations.
Each exhibition is accompanied by a catalog. These catalogs focus on the artists. They are published by Les Éditions de Mérius.
The transformation of 1700 La Poste is remarkable. It showcases the conservation and re-appropriation of urban spaces. It stands as a testament to Petite-Bourgogne’s history. It allows new elements to graft onto it. These elements carry the neighborhood’s future. 1700 La Poste belongs to Montreal’s built heritage. The name of architect Luc Laporte is forever associated with it.