黄梅寺 御殿山別院

“Lost,” a young monk muttered, staring at the crumbling statues. He stood at Otagi Nenbutsu-ji Temple, a place ravaged by time and disaster. The year was 1955. Kocho Nishimura, an artist and sculptor turned monk, arrived at Otagi Nenbutsu-ji, driven by a wartime dream. He saw broken Buddha statues and vowed to restore them. Otagi Nenbutsu-ji Temple, originally built in 766 AD in Kyoto’s Gion district, had a history of misfortune. Floods, typhoons, and neglect had taken their toll. The temple was relocated twice, first after a flood destroyed its original location, and again in 1922 to the base of Mount Atago. Nishimura began his work, driven by his vision. His most ambitious project began in 1981: the creation of 1,200 Rakan statues. These hand-carved figures, depicting the followers of Buddha, line the hillside of Otagi Nenbutsu-ji. Nishimura invited ordinary people to participate. He encouraged them to imbue each statue with their own personalities and passions. The result is a whimsical and touching display. You’ll find Rakan in prayer, playing tennis, and even listening to music. The main hall of Otagi Nenbutsu-ji, also relocated, is a blend of architectural styles and hidden secrets. Its tiered roof represents the cosmos and the earthly realm. A secret roof lies beneath, protecting sacred Buddha images. The second hall, the jizoudou, pays homage to Kiyomizu-dera Temple, a nod to Nishimura’s teacher and the temple’s connection to Otagi Nenbutsu-ji. Today, the Nishimura family, three generations on, continues to care for Otagi Nenbutsu-ji Temple. They fill it with their art, music, and unwavering devotion. This quiet temple, with its friendly Rakan faces and peaceful atmosphere, offers a truly unforgettable experience.