Is this the embodiment of Buddhist enlightenment? We stand before Kinkaku-ji, the Temple of the Golden Pavilion. Its shimmering reflection dances on the surface of Kyokochi Pond, the Mirror Pond. It’s a sight that has captivated hearts for centuries. Kinkaku-ji wasn’t always a temple. In 1397, Shogun Ashikaga Yoshimitsu, at the height of his power, chose this tranquil spot for his retirement villa. He named it Kitayama-dono. Upon his death in 1408, his son, respecting his wishes, transformed it into a Zen Buddhist temple, Rokuon-ji. But the name Kinkaku-ji, a tribute to the Golden Pavilion, persists. The pavilion itself is a marvel of architecture and artistry. Each of its three floors boasts a different style. The first floor, grounded in the Heian period’s palatial style, houses statues of Yoshimitsu and Buddha. The second, reflecting samurai residential architecture, shelters a statue of Kannon, the bodhisattva of mercy. The top floor, a testament to Zen architectural style, once held sacred relics of Buddha. But Kinkaku-ji’s story is not without tragedy. In 1950, a fire, set by a novice monk, consumed the Golden Pavilion. Yukio Mishima, a renowned Japanese author, captured the event’s haunting beauty in his novel “The Temple of the Golden Pavilion”. The pavilion you see today, rebuilt in 1955, is a faithful reconstruction, a phoenix reborn from the ashes. It stands as a symbol of resilience, a testament to the enduring spirit of Kinkaku-ji.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to