源光寺

Whispers of history surround Genkoji Temple. It stands as a quiet testament to time, nestled southeast of Kaijusenji Temple. Genkoji Temple has held its ground since at least 1697. Records from Kaijusenji note its reconstruction in that year. A close bond exists between these two temples. Kaijusenji has managed Genkoji Temple since the end of World War II. Today, no priests reside at Genkoji. However, the temple safeguards precious artifacts. These consecrated Buddhist statues are recognized as Important Cultural Properties of Japan. Among them are the Seated Eleven-Headed Kannon and the Four Heavenly Kings. The origins of Genkoji Temple remain shrouded in mystery. Scattered mentions appear in memoirs of traveling Buddhist monks and documents from nearby temples. One such story emerges from the early Edo period. A scholar-monk named Unsho Jitsudo journeyed to Genkoji to honor the Seated Eleven-Headed Kannon. He discovered the main hall in ruins and appealed for its restoration. His plea reached the ruling clans, who granted his request in 1681. This same monk also held ties to the renowned Enshoji Temple in Nara. The Seated Eleven-Headed Kannon, a wooden statue, is the principal deity of Genkoji Temple. It resides within the temple’s reliquary. This Kannon, a bodhisattva of compassion, observes the world with countless eyes and ears, seeking those in need of healing. Experts believe this statue dates back to the 13th century, crafted during the late Kamakura period. It represents a rare depiction of Kannon in a seated position. The statue, made with a joined wooden mosaic technique, stands about 74 cm tall. It is admired for its beauty and graceful androgyny. The eyes of Genkoji’s Kannon are particularly striking. Crystal coverings enhance their realism. This magnificent statue, along with the Four Heavenly Kings, stands as a beacon of history and artistry within the tranquil walls of Genkoji Temple.