植村文楽軒墓所

Engraved in the stone before us lies the history of Uemura Bunrakuken, the founder of the Uemura Bunrakuken Graveyard. This serene spot within the bustling city of Osaka offers a glimpse into the life of a man who shaped Japanese puppet theater. The Uemura Bunrakuken Graveyard is more than just a resting place. It’s a memorial to the legacy of Bunrakuken, whose real name was Masayoshi Shohei. He was born in Awaji Island, a place known for its puppetry traditions. Bunrakuken ventured to Osaka during the Kansei era (1789-1801). He established a puppet theater near the Takatsu Bridge, on the west bank of the Dojima River. This marked the beginning of what would later become the renowned Bunraku-za theater. The name “Bunrakuken” became synonymous with his artistic pursuits. He was also known simply as “Bunraku,” a name that echoed his dedication to the art form. The graveyard itself is situated at the Ensei-ji Temple in Osaka’s Tennoji Ward. The tombstone bears his stage name, “Bunrakuken,” along with his Buddhist posthumous name. The graveyard also holds the remains of Chikuyo, a renowned chanter who passed away in 1694. This addition adds another layer of historical significance to the site. Within the Uemura Bunrakuken Graveyard stands a prominent monument. This impressive structure commemorates the third-generation Bunrakuken, also known as Bunrakuen the Third. He played a pivotal role in elevating Bunraku to its golden age. He oversaw the relocation of the theater to a new location in Matsushima Shinchi in 1872. Later, it moved again, finding a home within the Inari Shrine in 1884. The third-generation Bunrakuken led the troupe to great success during this period, solidifying its place in Japanese theatrical history.