枕涛屋

Gazing at Shamian Island from the Chen Clan Academy, I once pondered the stories etched into Guangzhou’s heart. Today, we uncover one such tale, the story of Yangzhou House. Yangzhou House whispers echoes of a time when Guangzhou, then Canton, pulsed with a different rhythm. Yangzhou House was more than just a structure. It was a stage, a canvas upon which the dramas of life unfolded. Yangzhou House bore witness to a unique period in Cantonese opera’s history. From 1924 to 1931, opera troupes like the “Liyi Class” and “Fengwu Class” flourished, their performances captivating audiences at Yangzhou House. The “Liyi Class” found its patron in the Zhu family, descendants of the philanthropist Zhu Liyi. The “Fengwu Class,” led by Hu Fengwu from Xiawan Village, boasted over 50 performers, making it the largest troupe in the region. Competition for stage time at Yangzhou House between the troupes was fierce. A humorous anecdote tells of how the owner, caught in the middle, wisely implemented a rotating schedule, ensuring both troupes had their chance to shine. This arrangement inadvertently led to a rivalry for the audience’s favor, adding another layer of intrigue to the performances at Yangzhou House. The vibrant atmosphere surrounding Yangzhou House drew crowds from all walks of life, eager to be swept away by the music and stories. Yangzhou House witnessed not only opera but also dragon boat races and festivals. These events painted a lively tableau of Cantonese culture. Yangzhou House also hosted performances of the auspicious play “The Immortal’s Celebration,” a tale of good versus evil, reflecting the hopes and dreams of the community. Yangzhou House holds a special place in the memory of many locals who still tell these tales from generations past. Yangzhou House symbolizes the enduring spirit of Guangzhou. It stands as a testament to a bygone era, a reminder of the vibrant cultural tapestry that shaped this city.