Gazing at the 唐人雁木旧趾 Stele, can you envision envoys arriving from a distant land? This stele, marking the former site of the Karato-ganboki, whispers tales of diplomatic missions from the Korean kingdom of Baekje during Japan’s Edo period. 唐人雁木, meaning “Chinese Wild Goose Wharf,” served as a landing stage for these envoys, highlighting Fushimi’s role as a crucial transportation hub. Imagine their journey, sailing across the vast expanse of water to reach this very spot. These envoys, often referred to as “Tojin” (Tang people), brought not only greetings but also played a pivotal role in cultural exchange between the two nations. They arrived via a specific route, traveling from Korea to Osaka Bay, then inland through the Yodo River, finally disembarking at the Karato-ganboki landing. A 1748 illustration depicts this bustling wharf, resembling a festive stage, where the envoys first set foot on Japanese soil. While the original wharf is long gone, this stele stands as a testament to its historical significance. It reminds us of a time when this unassuming location played a vital role in international relations. The stele itself isn’t ancient, having been erected in 1990 to replace an earlier 1928 version. It serves as a tangible link to Fushimi’s rich past, allowing us to glimpse the journeys and diplomatic exchanges that shaped this region. The inscription on the west side commemorates the original 1928 stele, erected by local resident Mimasu Yasushi. The east side inscription, 唐人雁木旧趾, simply marks the historical significance of this site.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to