“Is that bridge named after an exhibition?” a curious tourist asked, pointing towards the Beizhan Bridge. “Actually,” I began, “it’s the other way around. The Beijing Exhibition Center, or Beizhan, is named after this bridge.” The Beizhan Bridge, an unassuming structure, holds a unique place in Beijing’s history. It served as a landmark long before the exhibition center rose nearby. Constructed in 1954, the Beijing Exhibition Center, or Beizhan, was one of the first large-scale exhibition halls in Beijing. The exhibition center was named after the Beizhan Bridge, solidifying its significance in the area’s identity. Initially called the Soviet Exhibition Hall, the Beizhan embraced its new name in 1958, reflecting China’s evolving relationship with the Soviet Union. The Beizhan Bridge also played a role in a local legend surrounding a well near the Jingzhong Temple. The well, known as the “Locked Dragon Well,” was said to contain a chained dragon subdued by Liu Bowen. The dragon, according to folklore, was promised freedom when the bridge grew old, a clever way to imply the bridge’s permanence. Ironically, the Beizhan Bridge itself is no longer the original structure. The well near the temple, with its chained well-sweep, also disappeared during renovations. These changes highlight the constant evolution of Beijing’s urban landscape. While the current Beizhan Bridge may not be the one of legend, its name resonates with stories of exhibitions, dragons, and wells, offering a glimpse into Beijing’s layered past. The Beizhan Bridge isn’t just a crossing; it’s a thread connecting the modern exhibition center to ancient legends.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to