Hidden amongst the trees of Prince Chun’s Mansion, the 七王坟石刻 (Seven Kings’ Tombs Stone Carvings) whisper tales of a bygone era. These stone carvings, nestled within the landscape of Prince Chun’s tomb, also known as the Seventh Prince’s Tomb, offer a glimpse into the life and times of Prince Chun, Yixuan. Construction of this sprawling complex began in 1868, during the reign of the Tongzhi Emperor. It was a project of grand ambition, encompassing both a yin (underground) and yang (above ground) section. The main structures were completed by 1874. However, Yixuan wouldn’t be laid to rest here until 1892, following his death in 1891. The final touches, including additional buildings and landscaping, weren’t completed until 1899. These stone carvings bear witness to the history of this place. They’ve seen the Boxer Rebellion in 1900, which caused significant damage to the complex. They silently observed the tomb’s desecration during the Second Sino-Japanese War. Even after the establishment of the People’s Republic of China, the tomb faced further hardship. Parts of the complex were repurposed, with the yang section serving as government offices. The stone carvings themselves survived, etched into the landscape near a mountain spring at the southwest corner of the yin section. They feature poetic inscriptions, like “一卷永镇” (One Scroll Forever Suppresses) and “插云” (Piercing the Clouds), showcasing Yixuan’s calligraphy and offering a unique perspective into his artistic sensibilities. These weathered stones stand as a testament to the enduring power of art and history. They whisper secrets of imperial life, political intrigue, and the passage of time, offering a poignant reflection on the transient nature of power and the enduring legacy of art.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to