From the depths of a watery grave, a phoenix of steel arose. This, my friends, is the story of the Retvizan, a battleship whose journey spans continents and empires. Retvizan began her life not in Russia, but in America. Commissioned by the Imperial Russian Navy, she was built by William Cramp & Sons in Philadelphia because Russian shipyards were overflowing with projects. Launched in 1900, Retvizan was a powerful pre-dreadnought battleship, a testament to American shipbuilding prowess. Her name, resonant with history, honored a Swedish ship captured by Russia in 1790. The Retvizan was meant for the Pacific fleet, sailing from Philadelphia to the Baltic, then undertaking a long voyage to Port Arthur. Her early service was marked by a grand naval review, witnessed by Tsar Nicholas II and Kaiser Wilhelm II, and innovative experiments with coaling at sea. But peace would soon shatter. In the dark of night, during the Russo-Japanese War, a Japanese torpedo found its mark on the Retvizan. The battleship, grievously wounded, was deliberately run aground to prevent sinking. There, partially submerged, Retvizan played a crucial role, her guns repelling Japanese attempts to block the harbor entrance. Raised and repaired, Retvizan rejoined the fight, only to face the might of the Japanese fleet in the Battle of the Yellow Sea. Her heroic charge at the enemy line, drawing fire away from the damaged Russian flagship, became a legend. Retvizan, battered but unbowed, returned to Port Arthur. The siege wore on. Retvizan, along with the rest of the trapped fleet, endured relentless bombardment from Japanese howitzers. Finally, struck by multiple shells, the Retvizan settled into the shallows, a watery grave that seemed her final resting place. But the story of Retvizan doesn’t end here. The victorious Japanese raised the sunken battleship, repaired her, and renamed her Hizen. She served in the Imperial Japanese Navy, a testament to the resilience of her design and construction. Hizen even played a small role in World War I, searching for German raiders in the Pacific. Her long and eventful career finally ended in 1924, when she was sunk as a target ship. So, as you gaze upon the fountain that now stands near where Retvizan once met her watery fate, remember the story of this remarkable ship. A symbol of resilience, a pawn in the games of empires, the Retvizan’s tale continues to echo through history, right here where we stand.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to