Beneath the baroque onion dome of St. Georg und Michael, time seems to slow. This Roman Catholic parish church stands in Augsburg-Göggingen. It replaced an older, smaller church in 1713.
The story of St. Georg und Michael is one of constant change. The previous church was dilapidated. So, a new edifice was needed to serve the growing parish. The 18th century brought baroque splendor. The 20th century ushered in neo-baroque touches.
Look closely at the tower. Its basement dates back to the 13th and 15th centuries. In 1736, Joseph Meitinger added the baroque upper storey. He crowned it with that distinctive onion dome. It faces north.
Step inside St. Georg und Michael. Notice the aisleless design. This creates a sense of intimacy and unity. It draws the eye to the altars. They are focal points of faith and artistry.
The high altar is neo-baroque. It was created in 1928. The side altars date back to around 1750. They were restored and partially renewed in 1856. Joseph Korber repainted their altar pieces in 1856 and 1857. He was a Nazarene artist.
St. Georg und Michael is more than just a building. It is a repository of memories. Two stone tablets commemorate parishioners. These brothers of the parish are unforgettable. They died in World War I. Their names are listed.
Consider Maximilian Altstetter. He died on October 15, 1916. Think about Heinrich Bauer. His death came on June 3, 1920. Remember Blasius Bayer. He fell on July 25, 1918. Each name represents a life. Each loss echoes through time within St. Georg und Michael.
St. Georg und Michael stands as a testament to faith and community. Its walls have witnessed centuries of change. Its altars have been the site of countless prayers. The church is a landmark. It is a place of solace. It is a symbol of enduring hope in Augsburg-Göggingen.