Did you know the Iglesia del Señor de la Caña in Arequipa boasts a unique blend of architectural styles? It stands as a testament to faith and history. Let’s delve into the story of this captivating church.
The Iglesia del Señor de la Caña began its journey in 1885. Don José María Llerena initiated the construction. The church was inaugurated on June 12, 1888. Its initial design reflected the neoclassical style prevalent in Arequipa. This is evident in the church’s apse and the lateral buttresses that provide structural support.
However, the Iglesia del Señor de la Caña evolved over time. In the early 20th century, a neogothic facade was added. This addition created the distinctive look we see today. The church’s architecture is described as baroque ojival. It is crafted from sillar. Only two other structures in Arequipa share this style. These are the Iglesia del Hospital Goyeneche and Las Esclavitas.
Inside the Iglesia del Señor de la Caña, three naves stretch toward the altar. Two lateral naves each feature a stained-glass window. In the central nave, a tower rises. Atop the tower, a cross of iron stands tall. Below the tower, a rosette window adds to the beauty. Stained-glass windows are located further down. Pinnacles adorn the upper parts of the three naves. Buttresses reinforce the sides and rear.
As you approach the Iglesia del Señor de la Caña, note the details. Stone steps lead to the atrium. Pilasters decorate the facade. The main entrance features a studded wooden gate. Inside, the main altar is covered in gold leaf. The image of Señor de la Caña is prominently displayed. Four columns stand at the altar’s sides. Their Corinthian-style capitals and bases are also gilded. Above, a cornice runs along the upper part of the temple. Eight niches hold statues of saints.
The story of the Iglesia del Señor de la Caña is intertwined with devotion. Simona Quino Paz played a key role. Around 1850, she dedicated herself to the Señor de la Caña. After the death of the Benavides sisters, Simona left the Monasterio de Santa Catalina. She took with her a canvas of the Señor de la Caña, which had been gifted to her.
Simona established herself in Challapampa. She built a rustic structure of stone and adobe. One section was dedicated to the adoration of the image of Jesus. This image represents the Señor de la Caña. The canvas remains in the Iglesia del Señor de la Caña today.
The devotion to the Señor de la Caña is celebrated every August 6th. The Iglesia del Señor de la Caña is a key attraction in Cayma. It is part of the Architectural Tourist Circuit. The church is also recognized as a Cultural Patrimony of the Nation. It receives regular maintenance. This ensures the beauty of its sillar structures is preserved.
The Iglesia del Señor de la Caña stands as a point of interest. It is located in front of the traditional Plaza del Pueblo. You can reach it from Arequipa’s Plaza de Armas by car in about 25 minutes. Public buses also provide access. The church welcomes visitors throughout the year. Its doors are open from 9 am to noon and again from 4 pm to 7 pm.
Take a moment to appreciate the Iglesia del Señor de la Caña. It is more than just a building. It is a symbol of faith, art, and the enduring spirit of Arequipa.