Gazing up at Saint Michael’s and Saint Anthony’s, have you ever wondered how such a Byzantine marvel found its home in Montreal? This architectural gem, with its mosque-like dome and minaret-like tower, stands as a unique landmark in the city. Saint Michael’s and Saint Anthony’s story begins in 1902 with the burgeoning Irish Catholic community of Mile End. Their initial church on Boucher Street proved too small, leading to the construction of this grand edifice in 1914-15. The architect, Aristide Beaugrand-Champane, also known for Montreal’s Grand chalet de la Montagne, pioneered reinforced concrete construction in Quebec, allowing for the creation of Montreal’s largest dome before St. Joseph’s Oratory. Initially known simply as St. Michael’s, the church served the predominantly Irish parishioners. Between the World Wars, it held the title of the largest English-speaking parish in Quebec. The church buzzed with activity, open daily from early morning to late evening. The interior of Saint Michael’s and Saint Anthony’s is a feast for the eyes. Guido Nincheri, a Florence-born artist who settled in Montreal, adorned the church with his stunning murals around 1918-1920. His “Apotheosis of the Eucharistic Mystery” in the sanctuary draws inspiration from a 6th-century design in Ravenna’s St. Apollinaire church. Look up to see his depiction of St. Michael vanquishing the seven-headed serpent, representing the seven deadly sins. Nincheri’s work also graces other Montreal churches like Saint-Viateur d’Outremont and Madonna della Difesa. The Stations of the Cross are replicas of those by German painter Martin Feuerstein in Munich’s St. Anne church. Images of various saints adorn the church, including St. Patrick for the Irish, St. John the Baptist for the French-Canadians, and Our Lady of Czestochowa, Poland’s revered icon. A shrine honors St. Maximilian Kolbe, the Polish Franciscan martyr canonized by Pope John Paul II. In 1964, with a declining Irish population, Cardinal Léger invited the Polish St. Anthony of Padua Mission to share the church. This marked a turning point, and in 1969, the parish officially became Saint Michael’s and Saint Anthony’s Catholic Community. One of five Polish Catholic parishes in Montreal, it stands under the auspices of the Franciscan order. Interestingly, Karol Cardinal Wojtyla, the future Pope John Paul II, visited Saint Michael’s and Saint Anthony’s in 1969. This visit adds another layer of historical significance to this remarkable church, a testament to its enduring presence in the heart of Mile End. Saint Michael’s and Saint Anthony’s continues to serve its community, a blend of cultures and histories, bound together under its magnificent dome.
Scala Santa Yes
“The staircase that Jesus ascended to Pilate’s praetorium” is how some describe the Scala Santa. It is a precious reminder