Atop a hill, overlooking the sprawling Hauptfriedhof, stands the Mausoleum von Reichenbach-Lessonitz. It’s a striking structure, built of red Main sandstone in a Byzantine style. This isn’t just any tomb. It holds a story of forbidden love, scandal, and political intrigue, centered around a woman named Emilie. The Mausoleum von Reichenbach-Lessonitz was commissioned between 1845 and 1847 by Kurfürst Wilhelm II. of Hessen. It was meant as a final resting place for his mistress and later, his second wife, Countess Emilie von Reichenbach-Lessonitz. This love affair was a scandal in its time. The public despised Emilie, believing she held undue influence over Wilhelm and his political decisions. There were even threats against the Kurfürst’s life. Emilie’s story is a tragic one. Kurfürst Wilhelm’s third son from his marriage with Emilie, also named Wilhelm, married Amélie Göler von Ravensburg. Amélie later became the Countess Amélie von Reichenbach-Lessonitz. Amélie and Wilhelm had two daughters, one of whom died young. When Wilhelm died in 1866, the Countess Amélie commissioned the Palais Reichenbach-Lessonitz in Frankfurt as her widow’s residence. It was later destroyed during World War II. The Countess Amélie was originally buried alongside her husband, Wilhelm, in Ermatingen, Switzerland. However, when the Mausoleum von Reichenbach-Lessonitz was completed on the Hauptfriedhof in Frankfurt, her remains were transferred there in 1913. The Mausoleum von Reichenbach-Lessonitz, while a beautiful structure, represents the complex and often scandalous lives of those connected to it. It’s a reminder that even within the seemingly quiet confines of a cemetery, stories of passion, intrigue, and ultimately, tragedy, can lie buried.
Adlerwerke
From bicycles to Nazi atrocities, the Adlerwerke in Frankfurt has witnessed a tumultuous history. The Adlerwerke, meaning “Eagle Works,” began