Gazing at the Santa Maria Annunciata in Chiesa Rossa, one might not realize its unique story. This church, nestled in Milan’s vibrant cityscape, isn’t just a place of worship. It’s a testament to architectural vision and artistic collaboration. The Santa Maria Annunciata in Chiesa Rossa began its journey in the early 1930s. Giovanni Muzio, the mind behind Milan’s Palazzo della Triennale, designed this church. Its exposed brick and stark geometric forms, hallmarks of Muzio’s style, set it apart. Fast forward to 1996. The Reverend Giulio Greco extended an invitation to the renowned minimalist artist, Dan Flavin. Flavin was tasked with creating a site-specific installation for the church’s interior. This would become Flavin’s final masterpiece, completed just two days before his passing in November 1996. Thanks to the Prada Foundation, the Dia Center for the Arts, and the Dan Flavin Estate, Flavin’s vision came to life. The Santa Maria Annunciata in Chiesa Rossa now houses “Untitled”. This stunning installation bathes the church in a vibrant spectrum of light. Green and blue illuminate the main nave. Red hues fill the transept. Golden yellow light bathes the apse, creating a breathtaking spectacle. This chromatic progression, from dawn to dusk, adds another layer of meaning to Muzio’s architecture. The church also houses other notable works. A sculpture of San Giovannino by Giacomo Manzù graces the baptistery. A large wooden disc titled “Luce” by Pino Pedano hangs above the altar. A statue of the Madonna by Giacomo Munster of Ortisei resides in the Marian chapel. The Santa Maria Annunciata in Chiesa Rossa is more than a church. It is an intersection of architecture, art, and history, a hidden gem waiting to be discovered in the heart of Milan.
Nuovo Cimitero di Cologno Monzese
“A timeless sanctuary,” the old woman whispered, her gaze fixed on the rows of marble within Nuovo Cimitero di Cologno