Hidden within Madrid’s bustling heart lies a treasure. The Real Oratorio del Caballero de Gracia stands majestically. Its entrance tucked away on Gran Via. This unassuming exterior belies a stunning neoclassical interior. Designed by the renowned Juan de Villanueva.
The Oratorio’s history is rich and fascinating. Its original structure dates back to 1654. However by the mid-18th century it fell into disrepair. King Carlos III commissioned Villanueva for its reconstruction. Villanueva presented two designs. One was a simple expansion. The other proposed a completely new basilica-style church. The king chose the latter. This grand project became a defining moment in Villanueva’s career. He was the architect behind iconic buildings. These include the Casitas del Príncipe and the Prado Museum.
Construction of the Real Oratorio del Caballero de Gracia’s interior spanned from 1782 to 1795. Funding proved challenging. King Carlos III even contributed funds from the newly established National Lottery. Near completion a benefactor pledged to cover the remaining costs. This was contingent on finishing the Oratorio in time for the Octava. A dispute arose between Villanueva and the Congregation. Villanueva insisted on removing a cornice. The Congregation feared this delay would jeopardize the donation. Villanueva was dismissed. Juan Pedro Arnal completed the building in 1795.
The Oratorio’s exterior saw changes over time. The facade facing Calle del Caballero de Gracia. This was designed in 1789. It wasn’t built until 1830. The construction of Gran Vía impacted the north facade. This required demolishing the chaplains’ house. Carlos de Luque López designed the new northern facade. Later Javier Feduchi Benlliure redesigned the Gran Via facade. This created a triumphal arch showcasing the cupola’s exterior.
Step inside the Real Oratorio del Caballero de Gracia. Marvel at its stunning interior. Twelve monolithic granite columns stand tall. They support the soaring dome. A magnificent stained-glass window by Maumejean. This depicts the Last Supper. Notice the subtle interplay of light. Villanueva masterfully created a sense of depth. This makes the space feel larger than it actually is. This is a testament to his genius as an architect of interiors. The Oratorio houses several important artworks. Including the Virgen del Socorro by Francisco Elías. And the Cristo de la Agonía by Juan Sánchez Barba. The latter is a rare surviving example of his work.
The Real Oratorio del Caballero de Gracia. A hidden gem. Its history is interwoven with the artistic and religious life of Madrid. It stands as a testament to architectural skill and enduring faith.