Chiesa parrocchiale della Madonna del Carmine

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A breathtaking neo-Gothic facade. That’s the first thing you notice about the Chiesa parrocchiale della Madonna del Carmine. Its beauty isn’t just skin deep. This church in Milan’s Brera district holds centuries of history within its walls.

The Chiesa parrocchiale della Madonna del Carmine’s story begins long ago. In 1268 Carmelite friars settled near the Castello Sforzesco. They built a convent and church. Sadly this was destroyed by fire in 1330. The friars rebuilt it but soon abandoned it.

Construction of the current church started between 1339 and 1400. Friar Bernardo da Venezia designed it. His design echoed the Santa Maria del Carmine in Pavia. Pietro Antonio Solari oversaw the work completed in 1446. But the newly finished church’s vault collapsed three years later. A restoration followed.

By the mid-15th century the church became a prestigious burial place for Milan’s nobility. Many noble tombs are in the naves and chapels. The 17th century saw a major Baroque renovation of the presbytery. The stunning facade you see today is the work of Carlo Maciachini. He completed it in 1880. Maciachini also designed Milan’s Monumental Cemetery.

Step inside and marvel at the interior. It’s a Latin cross plan with three naves. The central nave is taller and wider than the others. They are covered with cross vaults. Sturdy circular pillars alternate in terracotta and stone separating the naves.

Look closely at the chapels. They hold treasures from various eras. There’s a Neo-Gothic baptismal font from 1846 designed by Felice Pizzagalli. A 1700s altarpiece by Gaetano Dardanone depicting Saints Lucy Agatha and Apollonia is also there. The Chapel of the Madonna del Carmine features paintings by the renowned Camillo Procaccini. A beautiful statue of the Madonna and Child graces its altar.

The main apse has two sections. One is square with a cross vault. The other is polygonal with tall mullioned windows. Baroque stuccowork decorates the entire presbytery. The neoclassical high altar is another highlight. Giovanni Levati created it in polychrome marble in 1808. It replaced an earlier Baroque wooden one.

The Chiesa parrocchiale della Madonna del Carmine is more than a church. It’s a living testament to Milan’s rich history. It’s a place where faith art and history intertwine. It’s a place you should cherish and remember.

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