Große Liegende Statue

Gazing upon Wieland Förster’s Große Liegende, one can’t help but feel a sense of tranquility. This monumental bronze sculpture, created in 1965, depicts a reclining nude woman. The Große Liegende isn’t just a statue. It’s a story etched in bronze. A story of artistic exploration during a time of societal change. Originally, the Große Liegende faced the Kaufhalle, a local shopping center. Now, she gazes across at a school, a silent observer of generations. Förster’s Große Liegende echoes influences from other artists, notably Henry Moore’s exploration of the female reclining form. Interestingly, Förster’s Große Liegende is sometimes mistakenly attributed to another artist, Detlef Hennig. This misattribution adds another layer of intrigue to the sculpture’s story. The Große Liegende rests on a simple concrete base. Her form is both voluptuous and angular, a testament to Förster’s unique style. Her head is raised, as if in quiet contemplation, while her hand rests gently upon her breast. Notice the lack of intricate detail. Förster prioritized a more schematic representation, focusing on the overall form rather than minute particulars. Her face, devoid of overt emotion, invites viewers to project their own interpretations onto her. Is she serene? Pensive? The Große Liegende offers no easy answers, allowing for a personal connection with each observer. As you stand before the Große Liegende, consider her journey through time. From her initial placement near the bustling Kaufhalle to her current position facing a school, she has witnessed the evolving landscape of Berlin. This sculpture serves as a powerful reminder of art’s ability to transcend time and place. It’s a timeless piece that continues to captivate and intrigue.