Der siebte Schornstein

Across from the Marschtorzwinger, on the Wehdenhof, stands Der siebte Schornstein. It’s not a functional chimney, but a thought-provoking sculpture. Der siebte Schornstein translates to “The Seventh Chimney”. This 16-meter high artwork is part of a larger project by Swedish artist Jan Svenungsson. It’s a piece of a series called “A Whiter Shade of Pale – Art from the Nordic Countries”. Der siebte Schornstein is significant because it’s the seventh in a series of chimney sculptures Svenungsson has created across various countries. Each chimney is one meter taller than the last, creating a unique network of artistic expression. Der siebte Schornstein is made of brick, meticulously constructed to resemble a real industrial chimney. However, it will never produce smoke. It stands as a symbol, a three-dimensional image prompting reflection on industrialization and the nature of art itself. The sculpture’s placement near the St. Petri Church tower creates an interesting juxtaposition. The traditional church tower against the modern, abstract form of Der siebte Schornstein. This contrast invites contemplation about the interplay of history, progress, and artistic interpretation. While Der siebte Schornstein mimics the form of a functional chimney, its purpose is purely aesthetic. It’s a statement, a question, an invitation to consider how we perceive and interpret the world around us. Svenungsson uses the familiar image of the chimney to challenge our assumptions about form and function. He transforms a utilitarian object into a work of art, prompting us to see the world through a different lens. Der siebte Schornstein stands tall, not emitting smoke, but sparking thought and conversation.