Gazing upon the Holländerhaus, one might imagine a sturdy Dutch merchant residing within. This striking three-story house, nestled in Berlin-Niederschönhausen, exudes an air of bygone prosperity. The Holländerhaus, built in 1847 for Henriette-Sophia Fetschow, replaced an older, single-story structure on the same plot. It earned its name, “Dutch House,” from its distinct Dutch-style red brick construction. The Holländerhaus wasn’t always the grand residence we see today. It began as a modest single-story dwelling. Then in 1851, Carl Friedrich August Hauschild, a successful Berlin factory owner, purchased the Holländerhaus. He commissioned architect Ludwig Schultz to transform it into the impressive patrician house that stands before us. Schultz added two more floors, creating twelve rooms. He also designed the remarkable two-story “Rittersaal” or Knight’s Hall. Inside, a painted wooden beamed ceiling and wood paneling adorn the hall, showcasing Hauschild’s own ironwork creations. Hauschild, a passionate hobby blacksmith, crafted historical lances and helmets that still decorate the space. The rustic furniture, including high-backed chairs and a massive table, complete the hall’s unique atmosphere. Perhaps the most striking addition by Schultz is the prominent balcony on the north gable side. Decorated with neo-Gothic carvings and paintings, the balcony bears inscriptions. One reads, “If you want everything to go well for you, build on God in all things”. The other, a bit more boastful, states, “With great diligence he designed me – and made me Hauschild’s resting place – Ludwig Schultz, the carpenter – let him criticize who can do it better.” Look closely, and you’ll find the year 1852 inscribed on the beam heads. From this balcony, one could once enjoy an impressive view across the Bauernheide, stretching all the way to Waldstraße. Admire the wonderful wooden Gothic porch at the central entrance on Dietzgenstraße. This is a well-done replica of the original, though its foundation was unfortunately built incorrectly, creating a noticeable angle between the wood and the base. The oval staircase and the faux wood paintings on the panels, doors, and windows within the Rittersaal are also noteworthy artistic features. The grounds once boasted a vast garden, complete with winding paths, lawns, flowerbeds, a pond, artificial hills, and numerous old trees, extending to the Kreuzgraben. Sadly, this once magnificent park is now overgrown, smaller, and has fewer trees. It is now used as a parking lot, and its protected status was revoked in 2012. The rear portion is being prepared for the construction of residential buildings. The Holländerhaus has faced its share of challenges. It fell into disrepair, suffered war damage, and narrowly escaped destruction from a lightning strike in 2016 that split a nearby linden tree. A heavy branch crashed into the roof, requiring a four-hour crane operation for removal. The Holländerhaus perseveres. Today, it stands as a testament to Berlin’s rich and layered past, inviting us to contemplate the lives and legacies of those who called it home.
Genossenschaft PA58
From 1981 the Genossenschaft PA58 stands tall. It’s a self-managed house project. This is its story. This impressive building in