Gazing at the Vietnamesische Mutter mit Kind Sculpture, one can almost hear the whispers of history. This larger-than-life bronze sculpture, created by Hans-Peter Goettsche in 1972, stands as a powerful symbol of solidarity and resilience. The Vietnamesische Mutter mit Kind Sculpture depicts a Vietnamese woman, her posture both accusatory and dignified. A small child clings to her legs, a simple reed hat shielding their face. The woman’s traditional ankle-length tunic and the child’s similar attire speak volumes about their cultural identity. One hand rests protectively over the child’s head, while the other, clenched beneath her tunic, hints at a quiet strength. The Vietnamesische Mutter mit Kind Sculpture originally stood on the grounds of the Ho-Chi-Minh-Oberschule in Friedrichshagen. This school, once the 23rd Oberschule, received its honorary name in 1969 as a symbol of the GDR’s support for North Vietnam. It’s believed the sculpture was commissioned specifically for the school, reflecting the political climate of the time. The sculpture’s journey wasn’t without its challenges. By 1996, it had suffered damage and defacement. It was then placed in storage for restoration, before being re-erected at its current location. The Vietnamesische Mutter mit Kind Sculpture’s simple yet evocative design conveys a message of unwavering strength and maternal love amidst adversity. It’s a poignant reminder of a turbulent historical period, and a testament to the enduring power of human connection. The sculpture stands as a lasting symbol of solidarity and the hope for a brighter future.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to