Nestled on the edge of Milan, the Chiesa Vecchia dei Santi Pietro e Paolo ai Tre Ronchetti whispers tales of a forgotten time. This unassuming church, nicknamed the “Sistine Chapel of the Milanese countryside,” holds a captivating blend of history and artistry. The Chiesa Vecchia dei Santi Pietro e Paolo ai Tre Ronchetti isn’t easily found. It rests quietly among the remnants of the ancient villages of Ronchettino, Ronchettone, and Ronchetto delle Rane. “Ronchetto,” meaning a cultivated field carved from the woods, hints at the area’s rich agricultural past. Documents from the 14th century mention the church. Its Romanesque circular apse further confirms its age. Cardinal Carlo Borromeo, during his 1567 visit, ordered improvements, elevating it to a parish church. From the outside, the Chiesa Vecchia dei Santi Pietro e Paolo appears modest. Two statues of saints in niches and a small entrance pronao are the only decorations. A modern window and clock disrupt the façade’s harmony. They serve as a reminder of the passage of time. However, step inside the Chiesa Vecchia dei Santi Apostoli Pietro e Paolo, and you’ll find a hidden treasure. The single-nave interior bursts with Baroque splendor. Vibrant colors and rich ornamentation fill the space. Six chapels, three on each side, line the walls. The apse houses a unique artistic gem: a fresco cycle depicting the life of St. Peter. This cycle, painted by Ercole Procaccini the Younger in 1657, is the only one of its kind in Milan. Scenes of Simon Magus’s fall, Tabitha’s resurrection, the handing over of the keys to Peter, and Peter’s crucifixion unfold before your eyes. While less refined than some Milanese churches, these frescoes still possess remarkable quality and visual impact. They reflect the tenets of the Counter-Reformation with simply dressed figures. Look up to admire the vaulted ceilings of the chapels. They are adorned with simulated stucco work. A similar style graces the lunette ceiling above. Soft light filters through the windows. Sadly, a later addition of a window in the apse damaged one of the frescoes. This contributes to the overall dimness of the church. However, the interplay of light and shadow adds to the atmosphere. The vertical faux marble decorations and stylized plant motifs enhance the space. The 18th-century organ, recently restored, stands as another treasure within the Chiesa Vecchia dei Santi Apostoli Pietro e Paolo. The two altarpieces in the first two chapels, portraying St. Peter with the keys and St. John the Baptist baptizing Jesus, originally served as the organ’s shutters. This instrument resonates with the echoes of centuries past. Outside, in the charming garden of the church grounds, a fountain by sculptor Harry-Pierre Rosenthal adds a touch of modern artistry to the historic setting. The Chiesa Vecchia dei Santi Pietro e Paolo ai Tre Ronchetti survives as a testament to the area’s rural past. It offers a peaceful retreat just a short distance from modern Milan. This hidden gem invites you to step back in time. Here, amidst the echoes of history and whispers of artistry, you can experience a truly authentic Milanese experience.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to