Die Presse als Organisator Mural

Amidst the bustling energy of Alexanderplatz, let’s uncover the story of the Die Presse als Organisator mural. This vibrant artwork, a striking splash of color against the concrete backdrop, has witnessed the changing tides of Berlin’s history. Die Presse als Organisator, meaning “The Press as Organizer,” was created by Willi Neubert in 1973. This 76-meter-long frieze adorns the Pressecafe, a two-story structure built alongside the Haus des Berliner Verlages. The mural, made of industrial enamel, showcases Neubert’s innovative technique. The artwork depicts the world of journalism in East Germany. The left side portrays reporters covering various events, from scientific discoveries to sporting matches. The front section illustrates the distribution of news, highlighting the (self-proclaimed) diversity of the East German press. Look closely, and you’ll find coded references. Newspaper titles like “Rosa,” “die Rote,” and “takus” allude to Rosa Luxemburg, a key figure in German communism. Interestingly, the GDR held a complex view of Luxemburg, acknowledging her role in history while controlling her legacy. Another detail that sparked controversy at the time is the depiction of Karl Marx. His relatively small size in the mural drew criticism. The Die Presse als Organisator mural was hidden for nearly 30 years. A steakhouse, Escados, covered the artwork with a neon sign. The mural’s rediscovery and restoration in 2020 brought back a piece of East German history. Now a protected monument, Die Presse als Organisator stands as a vibrant reminder of Berlin’s past, inviting us to reflect on the power and complexities of the press.