Have you ever noticed the diamond-shaped windows on the facade of the Ex oratorio di San Francesco d’Assisi? Those diamond shapes are a signature design element of Gio Ponti, a renowned Italian architect who was known for his modernist style. Our journey takes us to the heart of Milan, where the church stands in all its glory. This modern masterpiece, commissioned as part of a program to celebrate the Second Vatican Council, is a testament to Ponti’s dedication to merging the sacred with the contemporary. He designed the church as a small, public square in front of it, trying to create a sense of isolation for the sacred structure.
The Ex oratorio di San Francesco d’Assisi is a true architectural wonder. Its hexagonal plan, evoking the concept of a finite form, is a nod to the Pirelli Skyscraper, another of Ponti’s iconic creations. But the standout feature is the facade that extends beyond the confines of the building, connecting the church with the adjacent parish buildings. This unusual design is a testament to Ponti’s commitment to creating a dynamic space for religious rituals. As you stand before the church, those slender vertical slits, created by the windows designed by Christoforo De Amicis, let the light dance across the interior walls.
But there is more to this church than meets the eye. Ponti didn’t stop at the facade. He meticulously planned and designed every aspect of the interior. You’ll notice the same spatial order that he used in the church of San Luca, with a wide nave flanked by aisles. These spaces are separated by pillars of reinforced concrete, tapering towards the top and joining the beams of the sloping roof. In fact, Ponti was a true master of the total work of art, overseeing the design of everything from the furniture to the liturgical vestments. His influence is evident in every detail, adding to this unique artistic expression.