“A church built for young women? How unusual!” you might think. And indeed, the Chiesa parrocchiale di San Giuseppe Artigiano has unique origins. It all began in 1503 with the establishment of the Pius Place of San Giuseppe. This institution, dedicated to assisting unmarried young women, thrived for over two centuries. The original church on this site, designed by Girolamo della Porta, was built in 1519. However, by the late 16th century, Cardinal Carlo Borromeo found it too small for the growing parish. Plans for a new church were delayed but eventually, in 1607, construction began on the present Chiesa parrocchiale di San Giuseppe Artigiano. The genius Francesco Maria Richini was the architect. He envisioned a masterpiece of Baroque architecture, and he succeeded. His innovative design combined two central-plan spaces, creating a unique longitudinal layout. The result is a church that feels both grand and intimate. It became a model for church architecture throughout northern Italy and beyond. Look closely at the facade. It’s a symphony of pilasters, columns, and niches. This design, clearly inspired by Maderno’s Santa Susanna alle Terme in Rome, marked a turning point in Milanese architecture. Richini blended Lombard traditions with the emerging Roman Baroque style. Step inside, and you’ll be enveloped by the octagonal space of the main hall. Richini’s use of colossal columns, inspired by Bramante’s plans for St. Peter’s Basilica, creates a sense of awe. The intricate polychrome marble floor, laid in a spiral pattern, adds to the dynamism of the space. It is a testament to Richini’s attention to detail. The Chiesa parrocchiale di San Giuseppe Artigiano stands as a testament to the artistic spirit of 17th-century Milan and a reminder of the city’s rich history of innovative architecture.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to