Did the stones of Capela da Senhora da Livração de Fandinhães whisper secrets of centuries past? We stand before a captivating enigma, a church seemingly in ruins. Capela da Senhora da Livração de Fandinhães, also known as the Church of Saint Martin of Fandinhães, holds a history as layered as the stones themselves. Archaeological excavations in 2016 revealed the foundations of the north and south walls of the nave. These ghostly outlines hint at a grander structure, lost to time. The visible portion, primarily the chancel, dates back to the 13th century. Notice the intricate details that speak to diverse Romanesque influences. The figures in the portal, standing against protruding leaves, echo those found in churches in Travanca and Abragão. Traces of a cornice on little arches in the churchyard connect Capela da Senhora da Livração de Fandinhães to the Romanesque style of the Sousa river basin, influenced by Coimbra. The dihedral logs in the crevices reveal the touch of Porto, inspired by the Limousin region of France. Look closely at the corbels. While most display geometric patterns, one reveals a provocative image: a naked male figure with his hand on his genitals, a motif mirrored in the Church of Tarouquela. This unexpected detail adds a layer of mystery to Capela da Senhora da Livração de Fandinhães. In 1302, the patronage of the church was granted to the Bishop of Porto. Later, in the 16th century, the Mudéjar tiles now adorning the main altarpiece’s frontal were crafted. By 1758, the population had shifted, and the church’s patronage was in the hands of the Admirals of the Kingdom. The 19th century saw the dismantling of the nave. Capela da Senhora da Livração de Fandinhães, though fragmented, remains a testament to its rich past. The stones, though silent, speak volumes to those who listen closely.
Центральный дом работников искусств
Step through the grand wooden doors of the Central House of the Workers of Art, and you’ll be transported to